attivita

Seminar series: Memory, Performance, and Scenes of Conflict

29 April: Pieter Verstraete (Groningen), “Exiled Lives on the stage”
30 May: Annalisa Sacchi (Venice), “Between Intimacy and Conflict: The Long '68”
14 November: Michal Kobialka (Minneapolis), “Staging Difficult Pasts”
12 Dicember: Antonella Ottai (Rome), “Comedians in Nazi Camps: Memory and Stage”

Seminars organized by Francesca Bortoletti, Livia Cavaglieri, Roberta Gandolfi, Tancredi Gusman, and Donatella Orecchia.

Study Day on the occasion of the opening of the virtual exhibition for the seventieth anniversary of the International University Theatre Festival (FITU)

Parma, 29 November 2023

Initiative promoted by the Research Group for the History of the University of Parma, in collaboration with the Historical Archive of the University of Parma, the Inter-University Research Centre for the Memory of the Performing Arts (MAP), and CAPAS.
Contacts: prof. Piergiovanni Genovesi and prof. Roberta Gandolfi.
The virtual exhibition, titled: The International University Theatre Festival through the materials of university archives, is hosted on the Omeka platform, and displays, among others, sources from the archives of the Universities of Bristol and Zagreb.

Theatre Criticism, Cultural Experiences, and Universities: Education in Spectatorship and the Encounter with the Contemporary Scene

Parma, 13 November 2023

Study Day promoted by the Degree Course in Journalism and Publishing Culture, Environmental and Multimedia Communication of the University of Parma, Other Speeds, and Gualtieri Social Theatre, in collaboration with the I Teatri Foundation of Reggio Emilia, Micro Macro Association, and the Inter-University Research Centre for the Memory of the Performing Arts (MAP). Initiative curated by Prof. Lorenzo Donati and Prof. Roberta Gandolfi.

momòn
nel quale si vede come le parole sono cose (dolci)
dedicated to Giuliano Scabia

Laboratorio Olimpico – 18th edition
Vicenza, Teatro Olimpico
4, 5 November 2023

Fall school: Memory and Performance. Classical Reception in the Permorming Arts

Parma, 23-27 October 2023

Coordinated by Francesca Bortoletti in collaboration with Giovanna Di Martino (University College London). Theatrical workshop and performance directed by Marco Martinelli (Teatro delle Albe/Ravenna Teatro).
Funded by the BIP-Erasmus Program and organized by the University of Parma in collaboration with Université de Tours (FR), Université Paris Sorbonne Nouvelle (FR), Université Paris Nanterre (FR), Palacky University Olomouc (CZ), University of Groningen (NL), Université Sorbonne Paris Nord (FR), University College London (UK), New York University (USA).
Partners: CAPAS, CSAC, Historical Archive of the Casa della Musica, Paolo Toschi High School (Parma) and Giandomenico Romagnosi High School (Parma).
On October 25, at 7:30 PM, at the Teatro Regio di Parma, a public performance was held of Coro di guerra coro di Pace: International Aristophanes.

Round table: Theatre, art, action in Italy 1959-1969

On the occasion of the publication of the Dossier: Theatre, art, action in Italy 1959-1969 edited by D. Orecchia and C. Sylos Calò, “Arabeschi”, 2022.

Rome, 23 May 2023

MLAC, Sapienza University of Rome in collaboration with the University of Rome Tor Vergata, Museum Laboratory of Contemporary Art, Inter-University Research Centre for the Memory of the Performing Arts (MAP).

Study seminar: The documents of the performance

Curated by Samantha Marenzi, Marta Martinelli, Donatella Orecchia

Rome, 22 April and Tuscania, 13 May 2023

Organized by Roma Tre University, University of Rome Tor Vergata, Inter-University Research Centre for the Memory of the Performing Arts (MAP).

Photography and Performance: the Living Theatre in the Cathy Marchand Collection, Rome, 22 April. Stefano Geraci and Tancredi Gusman in conversation with Samantha Marenzi, Marta Martinelli, and Donatella Orecchia.
 
The Nature of Archives, Tuscania, 13 May. Contributions by Tancredi Gusman, Samantha Marenzi, Marta Martinelli, Donatella Orecchia, the editorial staff of Exercises in Memory, Female and Male Students of DAMS at Roma Tre University.

Workshop: Private memories – From production to dissemination

Parma, 20 April 2023

Organized within the framework of PRIN 2017: Towards a Private History of Italian Film Criticism. Public Roles and Private Relationships: The Institutionalization of Film Criticism in Italy between the 1930s and 1970s (University of Parma, University of Bologna, University of Udine) in collaboration with Ormete – Orality Memory Theatre.

Conference and Workshop: Memory and Performance. Classical Reception in the Performing Arts

Parma, 10-14 October 2022 and London, 20-24 February 2023

Coordinated by Francesca Bortoletti in collaboration with Giovanna Di Martino (University College London) and Fiona Macintosh (University of Oxford).
Funded by the W.I.D.E. program.

Sponsors and Partners: University of Parma, Centre for the Activities and Professions of the Arts and Entertainment (CAPAS, UNIPR), University College London (UK), Centre for Early Modern Exchanges (UCL, UK), Archive of Performances of Greek and Roman Drama (Oxford, UK), the Leventis Foundation. In collaboration with: Inter-University Research Centre for the Memory of the Performing Arts (MAP), Inter-University Research Centre for ‘Studies on Tradition’ (Bari, San Marino, Padua, Trento), Dionysos Laboratory (Trento), The Warburg Institute (London, UK).

Theatrical workshop and performance demonstration: Early Modern Script and Theater Practice, Parma, 10-13 October and London, 20-23 February. Directed by playwright and director Marco Martinelli (Teatro delle Albe/Ravenna Teatro).

International conference: Memory and Performance. Classical Reception in Early Modern Festivals. Parma, 10-14 Octobre 2022 and London, 20-24 February 2023. Funded by University College London A. G. Leventis Foundation (UK).