{"id":2032,"date":"2024-02-18T14:53:06","date_gmt":"2024-02-18T13:53:06","guid":{"rendered":"https:\/\/www-2023.centromap.uniroma2.it\/?page_id=2032"},"modified":"2025-11-17T17:09:59","modified_gmt":"2025-11-17T16:09:59","slug":"attivita","status":"publish","type":"page","link":"https:\/\/www-2023.centromap.uniroma2.it\/en\/attivita\/","title":{"rendered":"attivita"},"content":{"rendered":"
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ACTIVITIES<\/h2>\n<\/div><\/div>\n\n\n\n
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Daniel Blanga Gubbay, \u201cAccompagnare la creazione\u201d<\/strong><\/p>\n\n\n\n

18 June 2025, h. 14.30<\/strong>

Primo appuntamento del ciclo di seminari online sul tema \u201cPer un Lessico delle arti performative\u201d.
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L\u2019Atlante FRIDA. Building Synergies<\/strong><\/strong>. Civic Rituals and Public Ceremonies
in Renaissance Venice: Social Networks and New Technologies<\/strong><\/strong><\/strong><\/p>\n\n\n\n

Casa Muraro, Venice, 30-31, May 2025<\/strong><\/p>\n\n\n\n


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Workshop di co-progettazione a cura di Francesca Bortoletti (UNIPR) e Giuseppe Gerbino (Columbia)<\/p>\n\n\n\n

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scarica il programma<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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For Giuliano Scabia. Poet, writer, master<\/em><\/strong><\/p>\n\n\n\n

Museo Biblioteca dell\u2019Attore, Genova, 28 maggio 2025<\/strong><\/p>\n\n\n\n



Interventi di: Massimo Marino, Livia Cavaglieri, Roberto Cuppone. Letture de IlFalcone Teatro Universitario di Genova: Emanuele Bellotti, Roberto Cuppone, Agnese Grazia Ede Ferla, Angela Zinno.<\/p>\n\n\n\n

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Workshop: Memory and Performance. Classical Reception in the Permorming Arts<\/em><\/strong><\/p>\n\n\n\n

London (Chickenshed Theatre), 1 November 2024<\/p>\n\n\n\n

Demonstration-permormance of the comedy Peace<\/em> by Aristophanes, culmination of a week-long workshop involving sudents from the Universities of Bristol and Parma and of the Chickeshed\u2019s Foundation Degree in Inclusive Performance, directed by Marco Martinelli and Ermanna Montanari (Teatro delle Albe\/Ravenna Teatro).
The workshop, coordinated by Francesca Bortoletti in collaboration with Giovanna Di Martino (University College London\/Oxford), has been finances by the Istituto Italiano di Cultura (London), the Ravenna Teatro (Ravenna), the Leventis Foundation, the Gilbert Murray trust, Bthe ristol Institute of Greece, Rome, and the Classical Tradition, the Institute of Classical Studies, the Archive of Performances of Greek and Roman Drama (Oxford), the University of Parma-DUSIC, and WIDE European Program.<\/p>\n\n\n\n

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Seminar series: Memory, Performance, and Scenes of Conflict<\/strong><\/em><\/strong><\/p>\n\n\n\n

29 April: Pieter Verstraete (Groningen), \u201cExiled Lives on the stage\u201d
30 May: Annalisa Sacchi (Venice), \u201cBetween Intimacy and Conflict: The Long '68\u201d
14 November: Michal Kobialka (Minneapolis), \u201cStaging Difficult Pasts\u201d
12 Dicember: Antonella Ottai (Rome), \u201cComedians in Nazi Camps: Memory and Stage\u201d<\/p>\n\n\n\n

Seminars organized by Francesca Bortoletti, Livia Cavaglieri, Roberta Gandolfi, Tancredi Gusman, and Donatella Orecchia.<\/p>\n\n\n\n

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Study Day on the occasion of the opening of the virtual exhibition for the seventieth anniversary of the International University Theatre Festival (FITU)<\/em><\/strong><\/p>\n\n\n\n

Parma, 29 November 2023<\/p>\n\n\n\n

Initiative promoted by the Research Group for the History of the University of Parma, in collaboration with the Historical Archive of the University of Parma, the Inter-University Research Centre for the Memory of the Performing Arts (MAP), and CAPAS.
Contacts: prof. Piergiovanni Genovesi and prof. Roberta Gandolfi.
The virtual exhibition, titled: The International University Theatre Festival through the materials of university archives, <\/em>is hosted on the Omeka platform, and displays, among others, sources from the archives of the Universities of Bristol and Zagreb.<\/p>\n\n\n\n

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Theatre Criticism, Cultural Experiences, and Universities: Education in Spectatorship and the Encounter with the Contemporary Scene<\/em><\/strong><\/p>\n\n\n\n

Parma, 13 November 2023<\/p>\n\n\n\n

Study Day promoted by the Degree Course in Journalism and Publishing Culture, Environmental and Multimedia Communication of the University of Parma, Other Speeds, and Gualtieri Social Theatre, in collaboration with the I Teatri Foundation of Reggio Emilia, Micro Macro Association, and the Inter-University Research Centre for the Memory of the Performing Arts (MAP). Initiative curated by Prof. Lorenzo Donati and Prof. Roberta Gandolfi.<\/p>\n\n\n\n

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mom\u00f2n<\/strong><\/em>
nel quale si vede come le parole sono cose (dolci)<\/strong>
dedicated to Giuliano Scabia<\/strong><\/p>\n\n\n\n

Laboratorio Olimpico \u2013 18th edition
Vicenza, Teatro Olimpico
4, 5 November 2023<\/p>\n<\/div><\/div>\n\n\n\n

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Fall school: Memory and Performance. Classical Reception in the Permorming Arts<\/em><\/strong><\/p>\n\n\n\n

Parma, 23-27 October 2023<\/p>\n\n\n\n

Coordinated by Francesca Bortoletti in collaboration with Giovanna Di Martino (University College London). Theatrical workshop and performance directed by Marco Martinelli (Teatro delle Albe\/Ravenna Teatro).
Funded by the BIP-Erasmus Program and organized by the University of Parma in collaboration with Universit\u00e9 de Tours (FR), Universit\u00e9 Paris Sorbonne Nouvelle (FR), Universit\u00e9 Paris Nanterre (FR), Palacky University Olomouc (CZ), University of Groningen (NL), Universit\u00e9 Sorbonne Paris Nord (FR), University College London (UK), New York University (USA).
Partners: CAPAS, CSAC, Historical Archive of the Casa della Musica, Paolo Toschi High School (Parma) and Giandomenico Romagnosi High School (Parma).
On October 25, at 7:30 PM, at the Teatro Regio di Parma, a public performance was held of Coro di guerra coro di Pace: International Aristophanes<\/em>.<\/p>\n\n\n\n

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Round table: Theatre, art, action in Italy 1959-1969<\/em><\/strong><\/p>\n\n\n\n

On the occasion of the publication of the Dossier: Theatre, art, action in Italy 1959-1969<\/em> edited by D. Orecchia and C. Sylos Cal\u00f2, \u201cArabeschi\u201d, 2022.<\/p>\n\n\n\n

Rome, 23 May 2023<\/p>\n\n\n\n

MLAC, Sapienza University of Rome in collaboration with the University of Rome Tor Vergata, Museum Laboratory of Contemporary Art, Inter-University Research Centre for the Memory of the Performing Arts (MAP).<\/p>\n\n\n\n

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Study seminar: The documents of the performance<\/em><\/strong><\/p>\n\n\n\n

Curated by Samantha Marenzi, Marta Martinelli, Donatella Orecchia<\/p>\n\n\n\n

Rome, 22 April and Tuscania, 13 May 2023<\/p>\n\n\n\n

Organized by Roma Tre University, University of Rome Tor Vergata, Inter-University Research Centre for the Memory of the Performing Arts (MAP).<\/p>\n\n\n\n

Photography and Performance: the Living Theatre in the Cathy Marchand Collection<\/em>, Rome, 22 April. Stefano Geraci and Tancredi Gusman in conversation with Samantha Marenzi, Marta Martinelli, and Donatella Orecchia.
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The Nature of Archives<\/em>, Tuscania, 13 May. Contributions by Tancredi Gusman, Samantha Marenzi, Marta Martinelli, Donatella Orecchia, the editorial staff of Exercises in Memory, Female and Male Students of DAMS at Roma Tre University.<\/p>\n\n\n\n

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Workshop: Private memories \u2013 From production to dissemination<\/em><\/strong><\/p>\n\n\n\n

Parma, 20 April 2023<\/p>\n\n\n\n

Organized within the framework of PRIN 2017: Towards a Private History of Italian Film Criticism. Public Roles and Private Relationships: The Institutionalization of Film Criticism in Italy between the 1930s and 1970s<\/em> (University of Parma, University of Bologna, University of Udine) in collaboration with Ormete \u2013 Orality Memory Theatre.<\/p>\n\n\n\n

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Conference and Workshop: Memory and Performance. Classical Reception in the Performing Arts<\/em><\/strong><\/p>\n\n\n\n

Parma, 10-14 October 2022 and London, 20-24 February 2023<\/p>\n\n\n\n

Coordinated by Francesca Bortoletti in collaboration with Giovanna Di Martino (University College London) and Fiona Macintosh (University of Oxford).
Funded by the W.I.D.E. program.<\/p>\n\n\n\n

Sponsors and Partners: University of Parma, Centre for the Activities and Professions of the Arts and Entertainment (CAPAS, UNIPR), University College London (UK), Centre for Early Modern Exchanges (UCL, UK), Archive of Performances of Greek and Roman Drama (Oxford, UK), the Leventis Foundation. In collaboration with: Inter-University Research Centre for the Memory of the Performing Arts (MAP), Inter-University Research Centre for \u2018Studies on Tradition\u2019 (Bari, San Marino, Padua, Trento), Dionysos Laboratory (Trento), The Warburg Institute (London, UK).<\/p>\n\n\n\n

Theatrical workshop and performance demonstration: Early Modern Script and Theater Practice<\/em>, Parma, 10-13 October and London, 20-23 February. Directed by playwright and director Marco Martinelli (Teatro delle Albe\/Ravenna Teatro).<\/p>\n\n\n\n

International conference: Memory and Performance. Classical Reception in Early Modern Festivals<\/em>. Parma, 10-14 Octobre 2022 and London, 20-24 February 2023. Funded by University College London A. G. Leventis Foundation (UK).<\/p>\n\n\n\n

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read more: London<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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Header Image<\/a><\/strong><\/em> : from Aristophanes in performance<\/em> \u2013 performance demonstration of the theatrical workshop directed by Marco\u00a0Martinelli. Valserena Abbey, CSAC-University of Parma, Parma,\u00a013\u00a0October\u00a02023<\/p>","protected":false},"excerpt":{"rendered":"

mom\u00f2nnel quale si vede come le parole sono cose (dolci)dedicato a Giuliano Scabia Laboratorio Olimpico \u2013 XVIII edizioneTeatro Olimpico di Vicenza4, 5 Novembre 2023 Copertina : da Aristophanes in performance \u2013 dimostrazione spettacolo del laboratorio teatrale diretto da Marco Martinelli. Abbazia Valserena, CSAC-Universit\u00e0 degli<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2032","page","type-page","status-publish","hentry"],"yoast_head":"\nMAP attivit\u00e0<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www-2023.centromap.uniroma2.it\/en\/attivita\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MAP attivit\u00e0\" \/>\n<meta property=\"og:description\" content=\"mom\u00f2nnel quale si vede come le parole sono cose (dolci)dedicato a Giuliano Scabia Laboratorio Olimpico \u2013 XVIII edizioneTeatro Olimpico di Vicenza4, 5 Novembre 2023 Copertina : da Aristophanes in performance \u2013 dimostrazione spettacolo del laboratorio teatrale diretto da Marco Martinelli. 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